Distrust of the established channels though which art is distributed (the art system and its institutions), the need to gain the attention of a mass audience, and the conviction that art can bring about a positive change in society if it truly reaches its members brought the 1970s generation of conceptual artists into the public space. Bypassing the museums and galleries, the artists wanted to address audiences that don’t necessarily have a prior affinity for art and establish a form of direct communication with them. Thus, the street became a natural environment in which to carry out their work. With a belief in the creative potential of every individual, and in an attempt to eliminate the divide between non-artists and artists, it was on the streets that artists could assume a more active role, and invite any random passer-by to participate in the creative process. Overstepping and thus blurring the boundaries between everyday life and art, their artistic practice expanded into ordinary situations, various other forms of expression and modest materials. Their actions in public spaces included photos, flyers, banners and films, as well as strategies they often borrowed from political and marketing campaigns, at times intervening in cities like activists in order draw attention to pressing social issues. Many of these interventions were documented in photographs that later found their way into museum collections, like the ones in front of you here.
Pave Dulčić, Slaven Sumić, Denis Dokić, Vjeko Benzon, Ante Aljinović, Srđan Blažević, Radovan Kogej, Nedan Đapić, Zvonimir Buljević
1968 / 1998
colour photographs
x (20.5 x 30.5) cm
© MSU
Dubravko Budić, Vladimir Gudac, Davor Lončarić, Ivan Šimunović, Gustav Zechel, Darko Zubčević
Action in Pazin, b/w photograph
© MSU
b/w photograph / photo canvas
Indian ink, mixed media / canvas
270 x 237.5 cm
© MSU
b/w photographs / paper
photographs: 6 x (18 x 24) cm
© MSU